Many students who have taken the SAT will vouch for the fact that the critical reading section is the most difficult part of the exam. Why? It is because the lengthy passages demand you to stay focussed! In order to stay focussed of for that matter to stay awake, you need to engage with the passage
Here are some pointers that will help you stay engaged with the passage:
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- First of all write on the passage, scribble on it, underline or highlight some important areas. Underline the transitional words or signal words such as but, yet, therefore, however, nevertheless, while and above all. Circle all unfamiliar words. Put stars when the author provides some examples. These are not sacrosanct. You can have your own codes, but the moral of the story is to do something to keep you awake and engaged. Make brief notes on the author’s tone, attitude and purpose in the margins. Writing on the passage serves two major purposes:
- It helps you remember what you have read
- It helps you make more sense of what you are reading
- The second way to stay engaged with the passage is to strike a conversation with the passage in your head. Go ahead. No one else will get to know about it. Talk back to the author. Ask questions. Make accusations. Get inside his head by saying “You are trying to be sarcastic, aren’t you?” or “Oh, I see where you are going with this example.” These conversations may appear insane at first, but active readers do this all the time. They help you to think like the author, by being able to do this; you will definitely find it lot easier to score better.
- Although interacting with the passage is important, it is equally important not to get carried away. Don’t dwell on any one aspect of the passage. Go through the passage once, marking it and talking to it as you proceed. Answer all the questions you know and then return to the passage for only those questions for which you are not quite sure. When you return to the passage understand that the questions are organised in the same way as the information flows in the passage. The first few questions in the passage will be based on the initial paragraphs of the passage. The last few questions usually are based on the whole passage.
Alliteration | repetition of sounds at the beginning of words |
Allusion | a reference to something commonly known |
Assonance | repetition of vowel sounds within words |
Cliché | a trite, an overused expression |
Foreshadowing | hinting at what is to come |
Hyperbole | an exaggeration |
Imagery | description that appeals to the senses |
Irony | incongruity between what is expected and what occurs or between what is said and what is meant |
Metaphor | A direct comparison in which one thing represents another |
Motif | A recurring subject, theme or idea |
Onomatopoeia | The use of words that imitate sound |
Oxymoron | A pairing of contradictory terms |
Paradox | A statement that seems self-contradictory |
Personification | Giving human characteristics to inanimate objects |
Pun | Humorous use of words that sound alike but have different meanings |
Rhetorical Question | Question meant to make a point, not to be answered |
Sarcasm | Harsh or biting irony |
Simile | A comparison that uses like or as |
Symbol | Something used to represent something else |
Theme | The main or underlying idea |
Tone | Author’s attitude toward his subject |
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